A Cinematic
Confection
By Chris Sabga
"Chef"
is a film about relationships. A cook's relationship with his food. A
chef's relationship with his staff. A father's relationship with his
son.
Chef
Carl Casper (Jon Favreau) controls the kitchen of a major Los Angeles
restaurant, but he's not the owner – that distinction belongs to
Riva (Dustin Hoffman), who's more concerned about what's in the cash
register than on the plate.
Despite
those difficulties, Casper has a great staff: his sous chef, Tony
(Bobby Cannavale); his line cook, Martin (John Leguizamo); and his
hostess, Molly (Scarlett Johansson). They're all fiercely loyal to
him. They love him. So does his ex-wife, Inez (Sofía Vergara), and
their 10-year-old son, Percy (Emjay Anthony).
A
prominent food blogger, Ramsey Michel (Oliver Platt), is coming to
the restaurant to review Casper's cooking. The chef wants to create a
new, bold menu that will wow the critic's culinary senses. The owner
disagrees. Keep everything the same, he says. "Play your hits!"
Unfortunately, the chef's "hits" make him a tired nostalgia
act instead of the vibrant visionary he used to be.
As
Casper's boring molten lava cake bubbles over, so does his anger. A
shouting match between him and the restaurant reviewer quickly
becomes an internet phenomenon, and a mistaken public message on
Twitter ignites a war of words.
Food
is Casper's calling. If he gets a bit hot-tempered sometimes, it's
because he cares so much about what he cooks. Like any artist, he's
passionate.
But
now he's also jobless – and there are no offers in sight.
Left
with no other options, he reluctantly accepts his ex-wife's
invitation to join her and their little boy in Miami for a week. It
would be good for him, she reasons, to get away for a while and
spend time with his son. Miami is where it all began for him: his
culinary career, his relationship with her, and the birth of their
child.
Inez
urges Carl to consider opening a food truck. That leads to a meeting
between him and her first
ex-husband, a rich flake named Marvin (a scene-stealing Robert Downey
Jr.). The off-kilter conversation between Favreau's chef and Downey's
crazed character is one of the best and funniest moments in the film.
Downey's presence amounts to little more than a cameo, but he makes
every single second count.
Truly,
all
of the actors are fantastic.
Favreau
and Leguizamo share such an easy, natural rapport that it feels like
you're genuinely listening in on two old friends. The same can be
said for the love and pride Favreau's character feels for his boy; it
just bursts
through the screen. If I didn't know better, I'd think they were
really father and son. Some of the best moments between them are the
quiet ones – such as little Percy explaining to his dad how Twitter
works, the concept of Vine's
six-second videos, and what it means when a post "goes viral."
Favreau is awesome as a 40-something-year-old who is behind the
times technologically, and Emjay Anthony is heartwarming as the kid
who just wants to spend time with his father "like they used
to."
Once
the food truck becomes operational, "Chef" turns into one
of my favorite of all the genres: the road trip movie. This is where
the film really shines. There on the open road, they talk, bond, take
in the great sights (and smells), and discover new things about
themselves and each other.
And
then, of course, there's the food itself.
Mmm
Mmm! You
will
walk out of the theater wanting a second dinner.
"Chef"
is not only a film about relationships, it's also about love. It was
obviously a labor of love for Jon Favreau. In addition to being the
star, he is also the writer and director. This is clearly a passion
project for him – and it shows. He's taken all of the ingredients
at his disposal and served us one of the year's best films.
Note:
In "Chef," @ChefCarlCasper
started a vicious "Tweet war" with @RamseyMichel
that went viral. For a more pleasant and peaceful experience, you can
follow me on Twitter @ScreenSurprises.
Bonus: Silver
Screen Sister, the
Second
I
saw "Chef" with Silver Screen Sister, the
Second.
To preface this, I should point out that she's not usually the most
attentive
moviegoer. (For example: We watched "Black Swan" together –
an unfortunate choice in retrospect – but she was too preoccupied
with e-mails from work to notice anything "amiss" between
Natalie Portman and Mila Kunis during one of that film's more
infamous
scenes. Thank God!) However, at the end of "Chef," she was
absolutely giddy.
So was I. She said it was one of the best movies she's ever seen.
High praise coming from her, even if she has only seen nine or ten
other movies. ("Coal Miner's Daughter" is still number one,
in case you were wondering. Has "Willy Wonka and the Chocolate
Factory" fallen to number three?)
"Oh
my God, I have been smiling about that movie since we saw it. What a
great experience. Thanks for getting me out of my draining work rut
to see it. It was so worth it!
The
line [Chef Casper] used – about not having a plan and never having
made any steps without one before – reminded me of something I was
thinking a few weeks ago:
Maybe
sitting still is going to help me get where I need/want to be. It IS
moving forward, but just not in a direction I have ever gone in…"
"Chef,"
she said, was "life changing" for her.
It's an easy movie to love. One cannot help but feel an infectious
enthusiasm for it.
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