By Chris Sabga
2007's mind-numbingly mediocre "Live Free or Die
Hard" managed to drag down Bruce Willis, the usually electrifying Timothy
Olyphant, and the entire "Die Hard" series. That fourth movie was one
sequel too many. Does the fifth and latest installment – "A Good Day to
Die Hard" – restore the blockbuster franchise to its former glory? Not
quite, but it deserves points for trying.
One thing it can’t be called is boring.
It has been 25 years since the events of the first film.
John McClane (Willis) is older, wiser, and still wisecracking. McClane once
again has to rescue a family member. In the original, it was his wife. This
time, it's his son – and he's in Russia .
In that small way, "Good Day" takes the series back
to its roots – but as the exotic locale indicates, this ain't exactly your
daddy's "Die Hard."
There's an early, amusing scene in a cab. McClane attempts
to give directions in Russian. The cabdriver (Pasha D. Lychnikoff) responds in
English and eventually starts singing American songs. No, I'm not kidding.
But that's merely the calm before the storm. What follows is
one of the most ridiculous and insane car chase sequences ever committed to
celluloid. The earlier "Die Hard" films were never exactly known for
their realism, but they're downright subdued compared to this.
Eventually, McClane finds his son, Jack (Jai Courtney), who
is involved in "spy s***."
It's hard to tell if "Good Day" is trying to be a
spoof of "The Transporter," "Bond," or the other "Die
Hard" movies.
Jack's secret mission is to protect a Russian named Komarov
(Sebastian Koch, looking like Mel Gibson's mugshot) who has access to a very
important file. It's "a matter of national security," of course.
Isn't it always?
From there, father and son bicker and hurtle from one
over-the-top action set-piece to another until they eventually reach – are you
ready for this? – Chernobyl .
Yes, that Chernobyl .
"Good Day" goes for broke with goofy exuberance,
reveling in a series of breakneck stunts and massive explosions. Just about every
scene is wildly implausible – completely defying all logic, not to mention gravity – and yet I found myself
smiling, swept away by the sheer scale of it all.
In the midst of all the craziness, I actually missed Willis
uttering his famous "Yippee Ki-Yay" catchphrase. (Apparently, I'm not
alone. IMDB.com
user "davidstreibig" did too.)
Nothing is too outlandish for this movie. Here's an example:
one of the villains, Alik (Rasha Bukvic), explains that he turned out that way
because he was never allowed to follow his true passion in life. To prove his
point, his taps his feet on the floor and expertly performs a dance number.
A tap-dancing villain – that's the type of movie this is.
The reason it works, at least somewhat, is because of the
chemistry and banter between Willis and the well-cast Courtney. The younger
McClane holds his own. Unlike, say, Mutt from "Indiana Jones and the
Kingdom of the Crystal Skull," Jack never feels artificially tacked-on.
Is this a good "Die Hard" movie? I'm still not
sure. But as absurd as "A Good Day to Die Hard" is, I undeniably had
fun watching it.
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