Rear Window Romance
By Chris Sabga
"Dead Man Down" is dark and dour, but it's also
nicely shot and well-acted by its two leads, Colin Farrell and Noomi Rapace.
I went into this expecting a dumb action movie; instead, it's
an interesting meditation on the deep desire for revenge and what that can do
to a person's soul.
Victor and Beatrice (Farrell and Rapace) have a bizarre
chemistry that hooked me from the beginning. Their relationship works so well
that it almost overshadows the main storyline. They're neighbors who admire
each other from adjacent apartment balconies, and when they finally do meet, it
doesn't go the way you might expect. He's a professional killer but tells her
he sells real estate; she's disfigured from a car accident and self-conscious
of her scars. They're both damaged in their own way.
Victor's partner-in-crime is Darcy (an excellent Dominic
Cooper), a family man whose wife and baby have given him a newfound perspective
about the world and the people in it. They work for Alphonse (Terrence Howard),
a criminal kingpin who has been receiving threatening packages for the past
three months. That mystery is what drives the plot forward.
F. Murray Abraham, Armand Assante, and the great French
actress Isabelle Huppert all show up in small supporting roles. Huppert appears
in so few American films that it's curious she'd pick this one. She plays
Beatrice's mother, a hearing-impaired woman who obsesses over getting her
Tupperware back. (In a particularly silly scene, she fumbles for her hearing
aids while the people around her plan crimes out of earshot – yeah, that's believable!) It's always nice to
see Huppert, but her only purpose in the movie, it seems, is to show that
Beatrice still lives with her mom.
WWE wrestler Wade Barrett is also in the cast, but if he's
the only reason you want to watch this, don't bother. He barely speaks, and
he's unintelligible when he does. His thick English accent is an asset as
villain in the ring, but it's a definite drawback here. Mostly, he just stands around
and tries to look menacing. Unfortunately, he's ridiculously taller than his
co-stars and lurches like an awkward Herman Munster . This is especially evident during
the mailbox scene. The charisma and charm he showcases on Monday Night Raw is
nowhere to be found in his portrayal of the henchman Kilroy. If he has any
potential as an actor, it's impossible to tell based on this role; he's given
precious little to work with.
Even though "Dead Man Down" is set in New York , it has a
decidedly foreign feel to it. That's likely because it's directed by Niels
Arden Oplev, who helmed the original Swedish version of "The Girl with the
Dragon Tattoo" and reunites with its star, Rapace, for this film. Almost
everything – from the characters, script, and cinematography – is atypical of the usual American action
movie experience. The beginning and ending are unfortunately the exceptions. It
starts off like some garish rap video with loud music, fast cuts, and a vomit-tinted
green and brown color scheme. I won't spoil the way it ends, but let's just say
we've been down this road before. It's a shame because the rest of the movie is
unique. The climax isn't bad, per se,
just a bit clichéd. It also features some pretty unconvincing special effects.
Farrell and Rapace benefit from wonderful character
development, but Terrence Howard remains a paper thin villain. His only
function is to be a bad guy and chew up the scenery with his evil ways. He does
that well, but it would have been nice if we had gotten to know him a bit
better too. His motivations are never clear. Why does he do what he does? In
this case, the fault lies with the script (which is fairly effective otherwise),
not the actor.
"Dead Man Down" isn't a perfect movie by any
means, but it is an interesting one. It's lighter on the action and heavier on
the romance than you might expect, but that's okay because Farrell and Rapace
make an oddly compelling couple.
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