Please Shoot Me!
By Chris Sabga
Taking a bullet to the head would be preferable to watching
this movie. At least then you'd be spared from having to endure 92 minutes of "Bullet
to the Head." Seeing Walter Hill's name up on the screen evoked feelings
of pleasant nostalgia for me, but the director of "48 Hrs." has seen
much better days.
It starts off with a bad narration: "Sometimes you
gotta abandon your principles to do what's right." I can't tell if it's
trying to capture the feeling of a hard-boiled pulp story or just attempting to
be intentionally cheesy. It fails on both counts.
There are also ridiculous one-liners like "give him a
band-aid and a blow pop" that are presumably meant to be funny and witty,
but Stallone's wooden delivery kills whatever effect these quips are supposed
to have. This type of material might have worked in the hands of another actor
– perhaps Nicholas Cage, a younger Bruce Willis, or maybe even Schwarzenegger –
but the mumble-mouthed "Sly" can't pull it off.
The basic setup: an aging hitman, James Bonomo (Stallone),
forms an uneasy alliance with a Korean-American detective, Taylor Kwon (Sung
Kang), because they both share the same enemies.
Kwon is a Korean Boy Scout type who spends more time
reloading his cell phone minutes than his gun. It goes beyond a regular
smartphone – it may as well be an Einstein phone, because he does everything on it. He brags that he
couldn't do his job without it. It gets obnoxious after a while. Jack Cates
(Nick Nolte's character from "48 Hrs.") would have shoved that
annoying phone down Kwon's throat and introduced him to real police work!
The bad buys include Morel (Adewale Akinnuoye-Agbaje, Mr.
Eko on "Lost"), Keegan (Jason Momoa, who was "Conan the
Barbarian" in the 2011 reboot), and Baptiste (Christian Slater).
Slater, such a powerful force in "Heathers," looks
like he wants to cry any time he has to recite some of these awful lines. I'm
rooting for him to make his big comeback role, but this isn't it.
Akinnuoye-Agbaje is a skilled actor who always tries
something a little bit different with each part he plays. This time he's bald,
clean-shaven, and a bit pudgy – but that's not enough to overcome a flat
character and bad script.
Momoa shows charisma and potential; hopefully he'll get to
apply that to a better film soon.
Stallone's character also has a daughter, Lisa (Sarah Shahi),
a tattoo artist who ties the story together in various ways. It's a promising
performance.
"Bullet to the Head" has many issues, but its
cardinal sin is that it's boring.
Forget about a fun "so bad it's good" action movie – this just plods along.
It also doesn't help that the screen looks like it's coated
in oil. It's dull and drab to an excessive degree. Why are today's filmmakers
so afraid of a little color? But this
is worse than most.
By the end, I'll admit I cared just a smidge about the relationship between the two partners and the
daughter, but they're stuck in a movie that's impossible to give a damn about.
"Bullet to the Head" is a disaster: cheesy but never
funny, ridiculous but never over-the-top, and bad but never a guilty pleasure.
It's a complete waste of everyone's time.
No comments:
Post a Comment
Note: Only a member of this blog may post a comment.