The Fast Lane is the Only Lane
By Chris Sabga
The best films make you more interested in their subject
matter; they compel you to rush out of the theater and find out everything you
can about them. "The King's Speech" was that way for me; after it was
over, I wanted to know all I could about George VI. Now I'm on a quest to learn
as much as possible about James Hunt and Niki Lauda.
Hunt (Chris Hemsworth) and Lauda (Daniel Brühl) were
real-life Formula 1 racing rivals in the 1970s. "Rush" is their
story.
It's a character study of who Hunt and Lauda were as men. No
interest or understanding of F1 is required.
Hunt is portrayed as handsome, charismatic, arrogant, and
reckless all in equal measures. He's a playboy and party animal who is the
center of attention wherever he goes. Lauda is serious and meticulous, cold and
distant. What he lacks in good looks and a winning personality, he more than
makes up for by having an insatiable drive and iron focus.
Their approaches to their chosen sport are as different as
they are. Hunt goes into each race as if it's a game of Russian Roulette. Every
lap may be his last. He realizes he's driving a "bomb on wheels." Lauda
is far more grounded, with an eye for the smallest detail and a view of the big
picture. Risks are inevitable – but unnecessary, irresponsible ones should be
minimized.
Despite their differences, they both have one thing in common above all: they
believe they're the very best at what they do. That resolute ego is what made
them rivals – and legends.
The real-life Niki Lauda and James Hunt |
Racing is in their blood. Despite having alternate paths
laid out for them, they can do nothing else. They don't know how to. This is
their talent and their passion.
I didn't think twice about Formula 1 racing before seeing
"Rush," but the performances of Chris Hemworth and Daniel Brühl made
me care. It's easy to see why Hemsworth was cast as Thor: he's larger-than-life
with a personality that radiates through the screen. Brühl is every bit as
effective despite being lower-key and initially much less likeable. It's
amazing how well Hemsworth and Brühl captured the people they were playing.
The movie is much like Niki Lauda himself: straightforward,
no frills, all business. Ron Howard has never been the flashiest director, but
he's always had an eye for good stories. The rivalry between Hunt and Lauda is utterly
captivating, not because of scores on a board but because of who they were.
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