Markus Zusak's
Bestselling Novel Comes to the Screen
By Chris Sabga
Information is taken
for granted today. We can choose a good book to read (or favorite
movie site to surf) without giving it a second thought. But far too
recently in our history, books were burned and the act of reading
certain authors or ideas was considered forbidden fruit.
"The Book Thief"
tells the story of a young girl, Liesel (Sophie Nélisse), who loves
to read and can't stand the thought of any
type of writing being censored. She rebelliously sneaks in and
"borrows" several forbidden tomes from a wealthy neighbor.
The title of the film becomes her eventual nickname.
As the story begins,
Liesel's mother is forced to give her up to another family. They're
living in Germany during the time of Adolf Hitler and the Nazi Party.
Liesel's new mama, Rosa
(Emily Watson), is stern and sharp with her tongue. Already cruelly
torn away from everything she has ever known, Liesel now has to
adjust to new parents, a new town, and a new life. Rosa's cold
demeanor does very little to put the frightened child at ease. But
these are harsh times, and one has to be tough just to survive.
Still, Liesel's new papa, Hans (Academy Award winner Geoffrey Rush),
has a softer touch. He makes the girl feel welcome and comforted by
referring to her as "Your Highness."
Slowly but surely,
Liesel adjusts to her new life. She quickly makes a friend – a
"lemon-haired" boy named Rudy Steiner (Nico Liersch) who
wants nothing more than to kiss her. But this is Nazi Germany, where
no one can dare remain comfortable or complacent for long. Everything
can change in the blink of an eye.
A teenage hideaway, Max
(Ben Schnetzer), soon comes knocking on Hans and Rosa's door. Like
Liesel before him, they take him in – at great potential cost to
themselves.
Liesel proudly wears
the uniform of a Hitler Youth without understanding what that really
means. When she finds out exactly what the Fuhrer is against, she
begins to have serious doubts. This, of course, coincides with her
increasing love of literature. If only more of today's children could
feel such reverence for the written word.
While any movie about
Nazi Germany is naturally going to weave in the historical, social,
and political concerns of the time period, this is – above all –
a story about relationships: Liesel's bond with Hans and even Rosa,
Max becoming a brother to her, and her growing affection for Rudy.
The little girl who
plays Liesel takes it all in with her wide, expressive eyes. She
anchors the film with a beautiful, natural performance. She's not
alone. Every actor here disappears into their characters. From the
acting and accents to the story and setting, everything comes
together to create a completely immersive experience.
Some movies are easy to
write about. The words just come tumbling out. Others take time to
process. They require reflection. "The Book Thief" has
stayed with me for weeks. It is beautifully haunting.
Any story that begins
with a narration from Death is not going to be simple Sunday stroll.
Yet, for most of the film's running time, there are only a few bumps
on the road. But Death, like love, is patient – though it is rarely
kind and never proud.
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