Reflecting on 25 Years of Tim Burton's Batman

Michael Keaton's Iconic Take on the Caped Crusader is Now a Quarter of a Century Old

By Chris Sabga

On June 23, 1989, Tim Burton's dark, gritty, and visually stunning re-imagining of Batman flew onto the silver screen with the impact of a Batarang whizzing overhead.

I was only ten years old then, and it would be my first experience with the Caped Crusader.

Even at such a young age, I was familiar enough with Michael Keaton to know that he was somewhat of an odd fit to portray a superhero. I had no idea, though, just how controversial the casting choice really was at the time. Picture that same scenario in the internet-era: Everyone involved would have been crucified instantly in 140 characters or less on Twitter – just we saw last year with Ben Affleck. But these were much simpler, more innocent days – at least for me – and I had no qualms about giving Keaton a chance. Actually, I didn't even think about it that way at all – Keaton had nothing to prove to me. I just wanted to see a really cool-looking, fun movie about a powerful man who "turned into a bat" and had an array of wonderful "toys" at his disposal.

Two hours later (126 minutes, to be exact), I was smitten.

Despite whatever doubts people may have had, Michael Keaton was absolutely phenomenal in the tricky dual role of the billionaire playboy Bruce Wayne and the cowled crimefighter Batman. However, every great hero needs a great villain – and they didn't come any better than Jack Nicholson's manic but magical and magnetic take on The Joker. The casting of such a respected Oscar-winning name like Nicholson sent a strong Bat-signal to the industry that this version of "Batman" would be more than just your typical superhero summer popcorn flick.

The strange sensibilities of director Tim Burton – who was then known primarily for "Pee Wee's Big Adventure" and "Beetlejuice" – provided another invaluable asset. He brought a warped, off-kilter aesthetic to the project that was perfect for Batman, The Joker, and Gotham City as a whole. But Burton's "Batman" was far from a weird arthouse experiment. It was cool.

Stylistically, the film was and remains a masterpiece. The striking sets of Gotham City, the bold black sheen of the Batmobile, and the colorful and crazy costumes of Batman and The Joker all came together to create a distinct visual world. The fusion of Batman and Tim Burton was nothing short of a work of art – literally.

The only thing I didn't like was that Nicholson had been given top billing over Keaton. Yes, Jack was the bigger star, but why was the villain's name ahead of the hero's? It rubbed my kid-self the wrong way. (Actually, it bugs my adult-self too!) Maybe it was my strong sense of justice? (Either that or extreme OCD.)

Regardless, I had Bat-fever that summer. And I wasn't the only one. A whole new generation of children and adults alike fell in love with The Dark Knight. Batman was once again relevant.

I collected the trading cards, pined for the toy Batmobile, and generally just couldn't get enough of anything Batman.

Then I discovered Adam West.

It's certainly true that Michael Keaton, Jack Nicholson, and Tim Burton all owe Adam West an enormous debt of gratitude – but I would not have found West without Keaton, Nicholson, and Burton.

From 1966 to 1968, Adam West played Batman (along with Burt Ward as his sidekick, the "Boy Wonder" Robin) for three seasons on television and one feature film. West's version of the Caped Crusader was the complete opposite of what would come later. It was lighthearted, comical, colorful, and blissfully cheesy. Words such as "pow" and "zap" would appear on the screen during fights. I adored it.

The villains were the best part. In addition to The Joker (played gleefully by Cesar Romero, whose bushy mustache poked out of his facepaint), I was also introduced to many other larger-than-life evildoers – including Catwoman (Julie Newmar, Lee Meriwether, and Eartha Kitt all stepped into the role at different times), The Penguin (Burgess Meredith), The Riddler (Frank Gorshin), Egghead (created specifically for the show and portrayed by Vincent Price), and too many others to name.

In 1992, Burton and Keaton reunited for a sequel, "Batman Returns," that I didn't enjoy nearly as much. A new director (Joel Schumacher) and a new actor (Val Kilmer) came together for 1995's "Batman Forever," which I actually enjoyed – possibly because of significantly lowered expectations. The stunt casting of Jim Carrey as "The Riddler" was a different story though. It seemed perfect on paper but did not translate well on-screen. The less said about the 1997 follow-up, "Batman & Robin," the better. George Clooney and Arnold Schwarzenegger played Batman and Mr. Freeze respectively, and the entire franchise was – nope, I won't give in to my basest instincts and write "put on ice," "frozen," or any other temperature-related pun. Schwarzenegger had been a favorite of mine, and Clooney would become one, but this was not exactly their hottest outing. (Sorry!)

It would be eight more years before Batman would don the cowl and cape again for yet another reboot (Christopher Nolan's "Batman Begins" in 2005 with Christian Bale). And so it continues, from Bale to Ben and whatever lies beyond.

From comic books, movies, TV shows, toys, and more, Batman has carved out an immortal legacy that will forever stand the test of time.

But, for me, it all began in one small, dark movie theater in 1989.

• Ben Affleck is the New Batman: The History of the Dark Knight