You're Never Too
Old to Live Life, Make a Difference, and Contribute Something of
Value to the People You Love
By Chris Sabga
Every once in a while,
it can be particularly satisfying to watch something that's nice for
nice's sake. "The Intern" is a nice
movie. That it stars Robert De Niro, who has made a career out of
playing heavies and menacing characters, makes it all the nicer.
Ben
(De Niro) is 70 years old and going back to work It's part of a
senior internship
program for an online fashion
e-tailer, run by a successful
young entrepreneur, Jules Ostin (Anne Hathaway). Except, Ostin barely
recollects the conversation she had with one of her assistants,
Cameron (Andrew Rannells), who pitched the idea to her in the middle
of her chaotic busy schedule. It is suggested to Ostin that she work
with one of the interns – to set a good example – but she balks
and panics because she's not comfortable around older people. That's
because of her mother (voiced
by Mary Kay Place in phone conversations), whose
response to "I love you"
is usually something along
the lines of "yeah" or "okay."
You mean, that's not the proper way to address affection? I'll have
to make a note of that.
The
setup for all of this is great fun: watching another senior citizen
teach Ben about .avi and .mov files, uploads, and other technological
jargon that must seem like a foreign language to the uninitiated; De
Niro's character interacting with the other young interns; and an
interview asking the 70-year-old where he sees himself in ten years.
(Look for a cameo by Nat
Wolff in one of these scenes.)
Of
course, Jules doesn't have much for Ben to do at first. Of course,
she's frigid and hard to reach in the beginning. Of course, everyone
else loves him. And of course, Ben and Jules eventually are forced to
get to know each other better. That the movie relies on these obvious
tropes doesn't make the story or characters any less endearing.
Predictability isn't always a bad thing. In this case, it gives the
viewer something to look forward to and root for.
There
are various subplots: Jules's challenging marriage to a stay-at-home
dad (Anders Holm), who handles all of the traditional "mommy"
activities with their daughter (JoJo Kushner); pressure to bring in a
more experienced CEO to run the company instead of her, similar to
what happened with Steve Jobs and Apple early in its history; and a
relationship between Ben and the company masseuse (Rene Russo). But
the main focus here is – as it should be – on the hilarious and
delightful interactions between the young boss and her much older
intern.
At
one point, Ben wonders if he's still hip enough to live in Brooklyn.
In its own quiet way, the film is a love letter to the city – as it
was then and as it is now. Along similar lines, De Niro's character –
with his pressed suits, pocket handkerchief, and sensible outlook on
life – represents a sort of nostalgia for when "men used to be
men." That concept is verbalized later in the movie during a
passionate speech by Jules.
There
is one
particularly silly segment – involving
Ben and his much younger co-workers (Adam DeVine, Zack Pearlman, and
Jason Orley), a
mistakenly-sent e-mail, and "Affleck's brother" – that's
not even remotely realistic or believable. But
what the hell, it works anyway. It's funny – and
(somewhat)
true! Most of the humor, though,
is much more subtle and
sophisticated.
"The
Intern" has many great lines and great laughs. It also has a big
heart and wonderful performances. This is one of De Niro's best roles
in years, and Hathaway continues to prove herself as a major talent.
Writer-director Nancy Meyers
penned a superb script.
I
laughed throughout.
I
felt good afterward.
What
more can I ask for?
Great review. I enjoy Nancy Meyers and I look forward to watching this movie.
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